Mel Brooks

"For 65 years, Mel Brooks has made people laugh all over the world. A celebrated director, actor, producer, composer and writer, Brooks is one of only 11 people in history to win an Emmy, Grammy, Oscar and Tony Award. With this unique, first of its kind collection, fans of this gifted entertainer will fall joyfully down a rabbit hole into a wonderland of television appearances, short films, documentaries, tributes, songs and genuine rarities."--Container....

The film celebrates the life and career of one of America's most influential and celebrated filmmakers and comedians, Buster Keaton, whose singular style and fertile output during the silent era created his legacy as a true cinematic visionary. Filled with stunningly restored archival Keaton films from the Cohen Film Classics library, it is directed by Peter Bogdanovich, a filmmaker and cinema historian.

Little Mikey figures he's got it made after uniting his mother with the dad of his dreams. But instead of family bliss, Mikey gets the biggest surprise of his life- a baby sister.

Mel Brooks has energetically avoided a documentary profile from being made, until now. He has agreed to throw himself into a new documentary about his storied career, giving American Masters exclusive interviews and complete access to his film archives.

With the help of his misfit mechanical friends, a small town robot named Rodney embarks on the adventure of a lifetime as he heads for the big city to pursue his dreams and ultimately proves that anyone can shine no matter what they're made of.

The Automat recounts the lost history of the iconic restaurant chain Horn & Hardart, which served affordable food to millions of New Yorkers and Philadelphians for more than a century. Founded by Joseph Horn and Frank Hardart in 1888, it revolutionized the nation₂s restaurant scene with technology that captured the public's imagination like nothing else the customer put nickels into slots, and little windows opened to reveal the customer's pick,...

A finely tuned parody of the old Frankenstein movies, in which Wilder returns to the old country to clear his family name.

Max Bialystock was once the king of Broadway, but now he only seems to be able produce flops. Things turn around for Max when he's visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. With this in mind, they decide to produce a musical called 'Springtime...

A legendary producer and his mild-mannered accountant face catastrophe when their play unexpectedly becomes a success.