Hiroshi Mizutani

A peerless chronicler of the soul who specialized in supremely emotional, visually exquisite films about the circumstances of women in Japanese society throughout its history, Kenji Mizoguchi (Ugetsu) had already been directing movies for decades when he made The Life of Oharu; in 1952. But this epic portrait of an inexorable fall from grace, starring the incredibly talented Kinuyo Tanaka as an imperial lady-in-waiting who gradually descends to street...