Bernstein: The 1953 American Decca Recordings

Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 1. Allegro con brio (14:39)

Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 2. Marcia funebre (Adagio assai) (17:47)

Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 3. Scherzo (Allegro vivace) (5:39)

Beethoven: Symphony No. 3 In E Flat, Op. 55 -"Eroica" - 4. Finale (Allegro molto) (12:10)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "Simplicity Itself..." (1st Movement) (13:25)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "I Always Feel This Gigantism" (2nd Movt.) (6:07)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "We Have Just Been Examining..." (3rd Movt.) (5:26)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "All That We Have Said" (4th Movt.) (9:12)

Beethoven: Musical Analysis (Bernstein On Beethoven´s Symphony No. 3, Op. 55, "Eroica") - "The Study Of The Eroica Is A Lifetime Work,..." (1:06)

Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 1. Adagio - Allegro molto (8:52)

Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 2. Largo (13:33)

Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 3. Scherzo (Molto vivace) (7:16)

Dvořák: Symphony No. 9 In E Minor, Op. 95 "From The New World", B.178 - 4. Allegro con fuoco (11:26)

Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 1. "Does This Music Sound Like The New World To You?" (3rd Movt., Trio II; 1st Movt.) (9:52)

Dvořák: Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 2. "We Come Now To The Second Movement, Which Has A Charming Melody, ..." (2nd Movt.) (3:22)

Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 3. "The Third Movement Is A Marvel Of Ingenuity And Deftness" (3rd Movt.) (1:40)

Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, op.95, "From The New World", B.178 - 4. "And Now The Last Movement. In General I Should Say That This Is The Most Slavic Of All" (4th Mov (5:00)

Dvořák: Musical Analysis: Bernstein On Dvorák, Symphony No. 9, Op. 95, "From The New World", B.178 - 5. "The Final Claim Of Those Who Argue For The New World Symphony As American Music, ..." (4th Movt (1:01)

Schumann: Symphony No. 2 In C, Op. 61 - I. Sostenuto assai – Allegro ma non troppo (12:27)

Schumann: Symphony No. 2 In C, Op. 61 - II. Scherzo. Allegro vivace (6:58)

Schumann: Symphony No. 2 In C, Op. 61 - III. Adagio espresssivo (11:53)

Schumann: Symphony No. 2 In C, Op. 61 - IV. Allegro molto vivace (8:14)

Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme) (4:22)

Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - II. "To My Mind Schumann Follows in This Tradition" (1:48)

Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - III. "Now Let´s Look at the Symphony Itself" (1st Movement) (8:39)

Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.) (6:51)

Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - V. "In The Marvellous Scherzo That Follows..." (2nd Movement) (4:49)

Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - VI. "But Perhaps the Greatest Beauty..." (3rd Movement) (7:31)

Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61 - VII. "Even in the Final Movement" (4th Movement) (5:15)

Brahms: Symphony No. 4 In E Minor, Op. 98 - 1. Allegro non troppo (11:51)

Brahms: Symphony No. 4 In E Minor, Op. 98 - 2. Andante moderato (11:53)

Brahms: Symphony No. 4 In E Minor, Op. 98 - 3. Allegro giocoso - Poco meno presto - Tempo I (6:07)

Brahms: Symphony No. 4 In E Minor, Op. 98 - 4. Allegro energico e passionato - Pi allegro (10:49)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 1. "Brahms´ Fourth Symphony In E Minor Is Today ..." (4th Movt., Opening Theme) (4:45)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 2. "Our Journey Begins Without Introduction..." (5:15)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 3. "Do You See Now What A Symphonic Theme Is?" (3:23)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 4. "Now, Think Of It - We Have So Far Only Had 44 Bars Of Music" (5:47)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 5. "Here Is That Second Theme" (2:42)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, op.98, First Movement - 6. "This Brings Us To The Development Section Proper" (9:34)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 7. And Here We Are Back Home, Ready For The Rehearing Of The Exposition, ..." (2:17)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 8. "So We Arrive At The Coda" (3:18)

Brahms: Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement - 9. "Well, We Have Had A Microscopic Look At Symphonic Method" (2:12)

Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - I. Adagio – Allegro non troppo (18:43)

Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - II. Allegro con grazia (8:14)

Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique" - III. Scherzo. Allegro molto vivace (9:08)

Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso (11:17)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.) (9:18)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 2. "Now The Development Section Erupts..." (1st Movt. Cont.) (1:58)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 3. "Now One Would Think That Tchaikovsky Had Really Exploited the Device of Scales" (2nd Movt) (1:56)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 4. "Jumping Now to the Famous Third Movement, The Great March..." (3rd Movt.) (1:50)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th (3:41)

Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 6. "Now I Don´t Want To Give You the Impression That Scales Are the Only Unifying Force in This Work" (6:01)