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Hollywood—crossroads of filmmaking, mythmaking, and politics—was dominated by one man more than any other for most of its history. It was William Randolph Hearst who understood how to use cinema to exploit the public's desire for entertainment and to create film propaganda to further his own desire for power. From the start, Hearst saw his future and the future of Hollywood as one and the same. He pioneered and capitalized on the synergistic
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In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique...
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"An Empowering and Celebratory Portrait of Black Women-from Josephine Baker to Aunt Viv to Cardi B. In 2013, film and culture critic Zeba Blay was one of the first people to coin the viral term #carefreeblackgirls on Twitter. As she says, it was "a way to carve out a space of celebration and freedom for Black women online." In this collection of essays, Blay expands on this initial idea by delving into the work and lasting achievements of influential...
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Writer Kanfer traces the meteoric rise, precipitous fall, and lasting mark of Yiddish theater on American theater, film, and culture in general. The venues in New York City have all gone. So have the performers and their immigrant audiences. But here they live again as Kanfer meticulously unravels the history of Jewish theater. He begins with the drama of the Old Testament and moves to the cultural explosions of the eighteenth-century Enlightenment,...
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