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Eight episodes exploring many aspects of humankind and man's need to harmonize with nature. Based on Akira Kurosawa's actual dreams.

Lynn is the most meticulous chambermaid in her hotel, leaving no shelf undusted, no sheet untucked. Crippled by shyness, she rummages through guests' belongings and even hides under their beds, vicariously experiencing their conversations, meals and discreet interludes. After clandestinely observing an S&M session, Lynn discovers the phone number of the call girl, Chiara. Bold and unrestrained, Chiara soon draws Lynn out of her shell, opening her...

Shot in secret and smuggled out of Iran, THERE IS NO EVIL is an anthology film comprising four moral tales about men faced with a simple yet unthinkable choice – to follow orders to enforce the death penalty, or resist and risk everything. Whatever they decide, it will directly or indirectly affect their lives, their relationships, and their consciences. Says director Mohammad Rasoulof: "As responsible citizens, do we have a choice when enforcing...

A peek into the creativity of Jaber al Mahjoub, a street artist, originally from Tunisia and now living in Paris, France. Encouraged at an early age by the French artist Jean Dubuffet, Jaber calls himself the “Happy Idiot,” obsessively making paintings, sculptures and songs that express the immediacy of life and experience. Jaber himself is Art Brut.

A physician, alchemist, and spiritual guru, PARACELSUS (1493-1541) was one of the most enigmatic figures in the history of science. And, like its subject, this 1943 film is shrouded in mystery, even though it was directed by one of the supreme stylists of the German cinema: G.W. Pabst. Werner Krauss (The Cabinet of Dr. Caligari) stars as the Swiss-born scientist, who faces the seemingly impossible task of protecting the German people from a coming...

A remarkable true story about the awesome power of imagination starring Mathieu Amalric as renowned editor Jean-Dominique Bauby. He is a man whose love of life, and soaring vision, shaped his will to write an inspiring memoir, despite a post-stroke condition that renders him paralyzed and unable to speak.

The astonishing debut feature from 23-year old writer/director Achal Mishra. THE VILLAGE HOUSE (Gamak Ghar) is a lovely, luminous and gentle portrait of a large extended Indian family over several decades as they gather at the matriarch’s rural home, following the inevitable rhythms of change, children moving away to the city, and the inexorable decay of traditional village life.

A tale of one middle-aged man who wishes to die in a society where suicide is considered as an abomination. Driving in the hills above Tehran, he meets an assortment of different characters : Afghans, Kurds, Turks, prisoners of the desert, a soldier, a seminary student and a museum employee, each with reasons to turn down the job : fear, religious scruples and humanist revulsion at a life wilfully squandered.

A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Attracted by the newness of the film, he starts renting all of Godard’s oeuvre, leading him and his friends to attempt to organize a Godard film festival in their village.

A tantalizing mystery and a bittersweet coming-of-age comedy rolled into one. Hao (Mason Lee) is part of a team of young engineers called in to investigate a series of craters that have opened up on the edge of the city. As he and his team survey the subsiding area, another story is taking place in the same suburban landscape. A younger boy, also named Hao, spends long afternoons playing with friends and making mischief until one-by-one, his playmates...