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In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America's most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics.
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With the advent of recording technology, LGBT messages were for the first time brought to the forefront of popular music. Bullock covers the history of recorded music by and for the LGBT community, and shows how those records influenced the evolution of the music we listen to today. He discusses how gay, lesbian, and bisexual performers influenced jazz and blues; examines the almost forgotten Pansy Craze in the years between the two World Wars; chronicles...
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